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    <updated>2008-01-07T19:25:03Z</updated> 
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        <title>Beethoven and the Piccolo</title>   
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        <published>2008-01-06T16:42:03Z</published>
        <updated>2008-01-07T19:25:03Z</updated>
    
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        <p>I&#39;ve <a href="http://hp.vox.com/library/post/what-i-didnt-know-about-dr-zipper.html">written previously</a> about my mild fixation with the piccolo, which started with a demonstration of the instrument in the third grade.</p><p>Last weekend at the symphony, we heard Beethoven&#39;s <a href="http://en.wikipedia.org/wiki/Symphony_No._9_%28Beethoven%29">Ninth</a>. Last night, we heard the <a href="http://en.wikipedia.org/wiki/Symphony_No._5_%28Beethoven%29">Fifth</a>. What really struck me hearing these back-to-back is how much Beethoven uses the piccolo in the last movement of each. The piccolo player really gets a workout!</p><p>My all-time favorite Beethoven piccolo is at the end of the Egmont Overture. Here is Leonard Bernstein conducting:</p>
    
    
    





        






    
    
    





        






    
    
    





        





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<p></p><p>When I got home last night I did a web search on Beethoven and the piccolo. It turns out there is a popular misconception that Beethoven&#39;s Fifth is the first time the piccolo was used in a symphonic work. It&#39;s not true, but it&#39;s an interesting misconception, I&#39;m sure born out of how prominent the piccolo is in the orchestration of the last movement.</p><p>Not surprisingly, a big crowd came for the symphony&#39;s performance of the Fifth. It was even a little fuller in the <a href="http://hp.vox.com/library/post/pretty-darn-empty-in-the-third-tier.html">third tier</a>.<br /></p>   <p style="clear:both;"> 
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